A while ago I wrote that even in today’s topsy-turvy world, Lo and I attempt to avoid politics and political positions in the things we publish. Yes, we’re political in our everyday lives. I mean, who isn’t? To be a-political is to say, “I don’t care if other people make decisions for me or what decisions they make.”
Deborah de Robertis
But here, in our little nook of the erotic blogosphere, we do our best just to tell a good, sexy story and keep you all out there engaged. It’s a safe space for us and hopefully for you from all the noise, hatred, and vitriol that surrounds us.
But then, one morning while listening to an interview with the creator of “The L Word,” Ilene Chaiken, I heard her say of the show that, “I think it’s revolutionary in America because we’re such a sex-averse culture. And to talk about sex, not just lesbian sex or LGBTQ sex, just to talk about sex is revolutionary.” That gave me pause and totally reframed this little endeavor of ours.
Mia Kirshner
Maybe she’s right. Maybe, just writing these lewd, crude, prurient, perverted, sexual, salacious, suggestive, and explicit stories is a political act.
I don’t know why I hadn’t thought of this before since, during the course of our career as sex enthusiasts, we’ve been banned from: PayPal, WordPress, Tumblr, MeWe, and most recently, Pinterest. After that last one, Lola turned to me and said, “Since when did being sexy become a crime?”
The L Word
I said, “Darling, you have looks that could kill. Your body is a dangerous weapon if in the wrong hands.”
We were kidding around, but really, she’s right and so is Chaiken. In our society, sex – consensual, adult, legal sex! – is treated as a contagion that must be contained. Beauty, especially the beauty of the unadorned human body, is hypocritically exalted in museums but excluded from life. It is sequestered away as if the halls of high culture were but a peepshow parade for the few, but not for the many.
Deborah de Robertis
Deborah de Robertis
Deborah de Robertis
A keen example of this is the performance art of Deborah de Robertis. In 2014 she entered the Musée d’Orsay, sat down in front of Gustave Courbet’s painting, “The Origin of the World,” hiked up her golden dress to her hips, spread her legs, and displayed her genitalia. This may seem like the bizarre behavior of an exhibitionist unless one is aware that Courbet’s painting is a beautiful oil painting of a woman’s naked torso, prominently displaying her cunt – the origin of the world. Like any great piece, her performance art could be interpreted in a variety of ways. The way I understand her work is as a statement about society. “Look here! You, you artists, aesthetes, philanthropists, critics, connoisseurs, cultural gate-keepers, and curious members of the museum-going public – look! Courbet says that this is the origin of the world. He’s right. This, the window of women through which you came and into which you cum; this is the origin and center of the world. Yet, here I am, proudly displaying mine right next to the framed work, and the latter imitation you prize and protect while the former flesh and blood you censor and persecute. You hypocrites! You despisers of the female form, the body, the earth. You cower in fear before the frothing flaps from which you emerged.”
I digress. All I am trying to say here is that we are proud of our body of work and proud of our fellow sex bloggers, sex workers, sex enthusiasts, and all of our readers and fans. People say the Sexual Revolution took place in the ’60’s. Well, by the looks of things, the Revolution is far from over. Pick up your penises, your dildos, your vibrators, your anal plugs, your strap-ons, and whatever other toys and tools you use and jack it, jill it, fuck it, fill it! Long live the Revolution!!! Kinksters of the world unite. You have nothing to lose but your clothes!
Deborah de Robertis in front of Lola Down as “Origin of the World”
The
next time we saw him, at a fundraiser reception in an art museum, Lo affixed
herself to him. Arm-in-arm they strolled
the corridors, pausing in dimly lit corners.
It was a nighttime event and the university spared no expense and was
eager to show off its faculty to the wealthy alumni and other donors. Because of the book I published long ago on
art, I was one of the featured speakers.
After a brief hello exchanged with Robert, I was left to review my notes
and consult with the university president about the order of the program. However, every once in a while, I’d catch a
glimpse of Lo leading Robert about, taking delight in the whispers and scandal
that she was causing among our petty and gossipy colleagues. I’d be lying if I said it didn’t irk me a
little bit. It would have been a totally
different story if I could have been with them, observing, commenting, and
teased by Lola’s cuckolding up close.
As
it was, they disappeared out of my sight.
I only heard later, while horizontal with Lo in the darkness of our
bedroom, impaling her with my rock-hard rod, between her gasps and groans, what
happened.
“I
walked with him as he politely escorted me through the various galleries:
Impressionists, Expressionists, Cubists, and so on. At each one he attempted to explain to me
what I already knew, but I flattered him with my oos and ahs and reallys? – as
if he were telling me something new.”
“You’re
bad,” I said. “I bet you do that with me
too.”
“No,
Daddy, never.”
Her
lies are transparent.
She
continued, “I knew the museum very well, of course, and I eventually led him to
the contemporary art gallery. I asked
him if he liked contemporary art and he admitted he didn’t really understand
it.”
This
was a rather intellectual conversation for pillow talk. But I was willing to follow her lead.
She
said in her sultry, seduction voice:
When we got
to the contemporary, I brought him to see Richard Prince and his ‘Girlfriend’
series. He looked very confused and
asked, ‘How can this possibly be art?’
I asked,
‘Don’t you find it beautiful? The artist
was so in love with his girlfriend that he chose to photograph her nude and put
her up in an art gallery for all to see.’
‘That’s
exploitation,’ he said.
‘Not if she
likes it,’ I said.
‘A good
feminist like you? – How could you like
it?’
‘How could
I like being photographed naked and put on display for all to see?’ I asked to
clarify his meaning.
‘I mean,
how could you think that she likes it or that a woman likes it or. . .’ he
stammered uncomfortably, ‘how could you like this,’ he said, indicating the large photograph.
‘You know,’ I said, ‘HH does the
same for me.’
‘What are
you talking about?’
‘He likes
to photograph me nude and then share it with the world.’
‘What?!’ he
asked, shocked.
I looked down at his crotch to see
if he was getting hard. I think he was.
‘It’s
called candaulism. It’s a kink. I’m surprised you don’t know of it – an
educated man like you,’ I said, gripping his bicep. ‘It comes from an ancient Greek story about
Candaules, the king of Lydia, who was so proud of his beautiful wife, he
arranged to allow his minister, Gyges, to see her naked.’
‘Is that
so?’ he said, as if he were only academically interested.
‘Yes. It turned out that the queen, Nyssia, was
aware of the spying eyes and, according to legend, in order to teach her
husband a lesson, summoned her husband to come to the bed and pleasure
her. Of course she knew that the figure
in the shadows was not her husband, but, unable to escape, Gyges obeyed the
command of the queen and, in the dim light, approached the bed. All the while Candaules was secretly watching
with a curious mixture of arousal and jealously. Gyges entered the bed and then entered the
queen. She said all sorts of salacious
things as they made love in order to drive the point of her lesson home, and
that she did, wounding the suffering king with her cries of passion. Finally, at the climactic moment, the king
could hold back no longer and he made himself known to both Nyssia and
Gyges. Drawing his royal sword, the king
made to slay the dutiful minister, but Gyges narrowly avoided the steel blade
and, removing it from the king’s hands, impaled the king with his own
sword. A tragic tale, don’t you think?’
‘Yes, yes
indeed. And it should serve as a
cautionary tale for HH.’
‘Oh, but
that is all ancient history,’ I said, waving my hand. ‘What HH and I do together is very fun. Its proper term is ‘compersion.’ That is, the delight of seeing one you love
pleasured by another. Would you like to
see?’ I asked, pulling out my phone.
‘Perhaps
later,’ he said just as we approached the Koons’ sculpture. ‘Dear Lord!’ he exclaimed as he saw the
porcelain rendering of Woman in Tub, ‘What
is this gallery?! The Museum of
Pornography?!’
‘Oh, don’t
be so rigid, and hardened in your ideas of beauty,’ I said to him as I patted
him on the chest. ‘This is a classic.’
‘Oh yeah,
right up there with the Mona Lisa,’ he said sarcastically.
Having my
phone out, I snapped a shot. ‘It should
be,’ I said. ‘You’re just priggish in
your stodgy ole professor way. Don’t be
such a prude.’
“I bet you
weren’t a prude, were you,” I said to Lo as I continued my steady rhythmic
forays in and out of her puss with my cock.
“I got 99 problems, but being a slut ain’t
one.” she said.
They
returned to the courtyard of the museum where I was to give my talk and I
watched them sitting in the audience next to each other. Lo’s legs were crossed and she was proudly
displaying her beautifully shod foot. At
one point I saw them passing notes.
“What did
you write to him?” I asked her.
“I just
wrote that I found it incredibly sexy to see you up there at the podium in the
museum giving your talk.”
“Really?”
“True,
Daddy,” she said. “Do you like that?”
“I do.”
“And then I
wrote that I was getting too wet to sit still.”
“You
didn’t!”
“I did,
Daddy. That’s when I got up.”
I
remembered seeing her walk out on my speech.
The thought of the reason why was too much for the erogenous zone of my
brain to handle and I unleashed a torrent of my pent-up desire inside her.
“Oh Daddy,”
she said, surprised, “Stay in me while I tell you the next little part.”
“OK,” was
all I could mutter as I caught my breath.
I went to the Ladies Room and
quickly took care of my craving. When I
returned, I sat next to Robert and asked if I missed anything.
He said, ‘No, but I feel like I
missed something.’
‘Oh,’ I said, ‘What’s that?’
‘You,’ he said.
‘Me?’ I asked.
‘Yes,’ he said. ‘I missed you when you were gone and I’m
supremely curious as to where you went and what you went to do.’
‘Come with me,’ I said, ‘and I’ll
show you.’
We got up and I took him to the
Medieval room of the museum, and there, in the dim light, surrounded by the
muted reds and blues of the stained glass windows, I sat with him at a pew and
took out my phone to show him all the photos of me from the blog, most of them
of me masturbating.
‘Robert,’ I said, ‘Here we are in a
place of devotional art and you see all these beautiful images and the
illuminated manuscripts over there?’
‘Yes,’ he said.
‘Well, this,’ I said, indicating the
images on my phone, ‘is HH’s devotional literature for me. This is the illuminated manuscript of the 21st
century. Sex is no longer sinful. Sex is spiritual. And I am a sex goddess.’
“How
extraordinarily pompous of you!” I said.
“You would have said the same,” she
retorted.
“You know me too well. But I think I’m rubbing off on you.”
“Rub off on me, Daddy! Rub off on me!” she pleaded as I was still
firmly sheathed in her dripping cunt.
“What happened next?” I asked as I
leaned into her, pressing my now tumescent cock deeper. She came and she came in massive orgasmic
waves. Clearly the memory of being the
object of worship was pleasing to her.
“Then he
took the phone and looked at it as he leaned toward me. Our lips touched and he held me tightly in
his arms as our tongues entwined. I saw
that, as he was kissing me, he was looking over my shoulder at the phone he
held in his hand, staring at my sexy photos.
I reached down and grabbed his cock and it was rock hard. His other hand reached down and felt my soft
leg all the way up to my panties. I
wanted so much more, but the event had just let out and we had to look
presentable.”
“That’s
when I found you with him walking over to me with that devilish grin on your
face.”