Category Archives: books
The Newest Inductees to The Match Book Club – Two MILFS and a Daughter
We have a very special treat for all of you today. Not one, not two, but three inductees to The Match Book Club.
First, we have Lisa-Anne. A beautiful MILF, twice divorced with two kids. A son in his twenties and a daughter who is a preteen. Lisa-Anne just loves to be admired and complimented. She also loves a good, smutty read. You can find more of Lisa-Anne HERE.

Lisa-Anne gets her reading materials ready

The beautiful Lisa-Anne

Lisa-Anne getting off after reading Match, Cinder & Spark

Lisa-Anne loves Lo

Lisa-Anne quick selfie

Lovely Lisa-Anne and Match, Cinder & Spark
A double or triple feature: We have the lovely, 51 year old MILF, who goes by Tinkergirlmilf, and her 21 year old daughter, Bunny. The two of them play together. Bunny is in college and apparently loves to read mommy’s dirty books – together with mommy! Mommy is dedicated to her daughter, so much so that she made a loyalfans and onlyfans account in order to raise money to pay her daughter’s tuition. Bunny doesn’t think that mom should shoulder all that on her own and so, to help raise funds for her education, Bunny joins in on occasion. You can imagine how the tuition dollars go up when she does! Don’t you want to cumtribute to their joint account?

TinkergirlMILF and her daughter Bunny read Match, Cinder & Spark together

Mom & Daughter together reading Match, Cinder & Spark

Daughter Bunny stole Mom’s Match, Cinder & Spark





Hey Bunny, some help please!

Mom and Daughter show their love for each other after reading Match, Cinder & Spark


“Bunny, do you like my shaved pussy and thong?”




Mother’s Day gift from Bunny


“Daughter, will you tell me if my princess plug is all the way in?”

Masochistic Humiliation
[Continued from Summertime: Dogs, Wieners, and Buns]

Knotty
“You left her there, like that, on the couch, mounted by her pup?”
“Yes,” said Lo, followed by, “Now have me, Daddy.”
“But wait,” I replied. She walked away down the hallway to the bedroom. By the time I got there, she was naked on the bed, lying on her tum, her bare feet dangling in the air above her, her legs spread wide.
“Daddy, come, play with my pussy,” she said.
I pulled off my clothes hastily and got on top of her. To my surprise, she was engrossed in some photos on her phone.
“What are you looking at?” I inquired as I slowly inserted my cock between her dripping wet pussy lips and slid it in right down to the shaft.
She moaned and said, “Is that your idea of foreplay? I said play with my pussy, not impale it.”
I pulled out.
“I didn’t say stop,” she grunted.
I slid in again.
“I thought your idea of foreplay,” said I, “was mounting my hard cock as I slept.”
“That’s only one idea. There are a lot of others.”
“What are you looking at?” I asked again, more demanding now since her hands were deliberately covering the screen of her phone.
“Nothing,” she said.
She was lying. I knew that. I thought, “OK, let her have her little secrets. I’ll find out later.”
“Why did you leave Scarlett?” I asked, trying to pump her for information.
“No talk. Fuck,” she instructed.
I gave up on my curiosity and simply explored her deepest recesses with my prick rather than with my pointed words.
“My ass!” she said, reaching both hands behind her and grabbing her ass cheeks to spread them and give me a clear target. “I want you to fuck my ass and then my puss and then my ass again – like a dog whose heat-seeking sensor keeps getting confused.”
It was an odd juxtaposition of simile and metaphor, but I was not going to nitpick at that moment. It was clear that her experience with Scarlett had left a lasting impression.
I gave her what she had requested, back-then-front and back again. In-out-in-out. Cunt-rump, cunt-rump, repeat. She was gushing.
The entire time she was looking down at her screen.
“Now,” she commanded, “ram it home up my ass. NOW!”
No time to think. Deep spelunking down her dark cavern.
“FUUUUUUCK!” was the response. This was the key to unlock the water works as her pussy gushed forth all at once in a deluge resembling the explosion of a water balloon.
Everything was drenched – me, the bed, her legs.
She finally rolled over on her back and, her breasts heaving with her deep breaths, she managed to smile a grin of relief and whisper between inhaling, “Thank you, Daddy.”
I crawled up next to her and, after she regained her equilibrium, she squirmed on the soaking wet bed and took my cock in her mouth. I was still hard. I had not cum. The pressure of performing outweighed the pleasure of putting it in her ass.
She began to lick and to insert my cock deep to the back of her throat as the fingers of her right hand tickled and cupped my testicles.
I took advantage of her preoccupation with insuring that I gain as much pleasure as she to grab her phone and discover what had her so enchanted while I fucked her.
The photos surprised me. She had found a cache of Irena Ionesco’s photographs of her daughter Eva. Apparently, the mother-daughter dynamic had appealed to her prurient imagination.

Eva

Eva

Eva

Eva and friend

Eva

Eva

Lola imitating Eva Ionesco’s photo
I wasn’t ready for my exquisite torture to be over just yet.
Reaching down and grabbing Lo’s thick mane – a move she usually loves because I’m usually holding her on my cock in the position that affords the most pleasure to me – I gently pulled her off of the bone she was so eager to fondle with her face.
“Lo, come here,” I whispered.
She looked up at me, disappointed. She is not satisfied until and unless her fornication friend is satisfied.
“Is everything ok?” she asked.
“Yes,” I said. “I just want to talk with you. I want to hear your story.”
“I told you already.”
“No, I want to know more.”
She slid up from my crotch to lie on the pillow facing me as I was lying on my pillow.
“Like what?” she asked.
“Why did you leave Scarlett?”
“She was completely incapacitated. Reilly had mounted her and was riding her good. He had already cum – into the pillow – and he was going to take a while.”
“So? She could have licked your pussy while the dog had his way with her from behind. You could have been next in line, if Reilly was riled up enough. You’ve been aching for that again. Anything could have happened.”
“Is that what you want? Did I let you down, Daddy?”
“It’s not about me,” I said, a bit sorry that she was taking my comments that way. “I’m just surprised. You clearly like this woman. You’re attracted to her. And – to have a four-legged friend trained in the art of pleasing its mistress. . .”
I didn’t have to continue because we both knew what sorts of erotic fantasies she dreams up while masturbating; dreams and fantasies of past experiences reconfigured into imaginings of future fun.
“You don’t understand, Daddy. She looked so, well, the only word I can think of is incapacitated. She was impaled on his prick and he was like the puppet master, pulling her strings with it. She seemed so, so. . .” Lo struggled to find the right word, “pathetic.”
“Pathetic?”
“Yes. I mean, there she was, Collin’s right-hand woman, as she called herself. Older, sophisticated, sexy, all put-together, and that British accent! You have no idea what that does to me! She looks down at me with that haughty, superior look.”
“I’m sure that’s just in your mind,” I said, doubtful that Scarlett, whom I had yet to meet, was looking down at Lo. Looking at her as a piece of meat to be devoured, maybe, but not looking down at her.
“Maybe, but it doesn’t matter,” said Lo, “that’s how I felt around her. But when she was being fucked by her furry friend, when she was desperate to have me, when she was completely and utterly debased and degraded like that on the couch, her big breasts hanging down, rocking forward-and-back under the thin, transparent fabric of her blouse, and she was unable to do a thing about it – that’s when I knew I had to go.”
“But why?”
“Because it gave me the upper hand for once. If I had stayed and let her lap up my labia, let Reilly ram his red rocket down my ravenous vagina like he was doing to her, and be made his bitch as completely and helplessly as she was, well then, I’d have even less self-respect next time I see her than I did the first time.”
“But you wanted her?”
“When she was washing my legs in the bathtub,” she said, her eyes glazed over as the scene played out before her mind’s eye, “and she hopped in, completely clothed, and got between my legs to wash my inner thighs, I was nearly certain she was going to ask me to piss all over her – her beautiful hair, her beautiful face, her red red lips, on her flimsy, sexy blouse and tits.”
“You really think she was going to ask that or. . .”
“Maybe I was hoping she’d ask for that.”
“Because, again, you’d have the upper hand. You’d be demeaning her, humiliating her by pissing on her.”
“Yeah, probably. What could be more humiliating?”
“You like it,” I reminded her, though she needed no reminding, I’m sure.
“Yeah, because I’m a masochist.”
“Well, maybe she is too.”
“No doubt,” she said, “but, if she goes about all haughty and holier than thou professionally – like she’s the sadist, at least towards me – then I’m not about to let her soon forget who is in charge in the bedroom.”
“A little sadistic streak in you too, then.”
“Yes.”
“Well, I guess you have met your match.”
“Daddy,” she said, “you’re my match.”
“You’re too young to remember, but a standard matchbox would come with twenty or fifty matches.”
“That’s a lot of fire.”
“Looks like she lit a flame between your legs.”
“Fuck me again, Daddy. Like a doggy. In my ass,” she said. “And give me my phone back, you sneak!”

XXX-mas Party with an image of Lola and friend above the mantle.
Substack – Your Chance to Subscribe!

Dear Readers, Fans, Fappers, Jackers, Goons, and Good Perverts Everywhere,
For a while now we’ve been telling you that the semi-regular posts from mysexlifewithlola.com have been few and far between because HH has been working on a long-form piece. Actually, it’s many long-form pieces. Before we take them to the publisher so you can get your own hard-copy, like the Match, Cinder & Spark books, Volumes 1-6 (so far), we’re going to try out Substack as a sort of beta publishing. We want to see how you like the long-form stories. The link to subscribe is below. Be warned, these stories are full of taboo and trigger-warning stuff!
Thanks for supporting us!
xoxoxoxo,
Lola & HH

Rogues Gallery
Protected: Toppings
“Normalize Cuckolding” Content Creator Roxy Interviewed by Lola Down
Questions for Roxy – the hotwife of Ben and Roxy who run the website “Normalize Cuckolding”:

Roxy Dover and Ben

Roxy, Ben, and Bull
L: How did each of you get into the lifestyle?
R: We actually met while swinging. Ben had been in the lifestyle for like 10 years before we met. He started swinging right out of high school and has never had a monogamous relationship. Me and my ex husband have always had threesomes and other group activities since high school. After we kinda cheated on each other a bunch we decided to open things up a little more formally. After a few weeks of hooking up with Ben we realized there was something going on between us and that we were in very bad marriages. One thing led to another and we ended up getting divorced and we married each other. I know one of the rules of swinging is to not fall in love, so we call this our swinger fail.

Roxy Dover

L: When did you decide to launch “Normalize Cuckolding” and why?
R: A few years back we were joking around about me wanting to bring a boyfriend with us to various places and events and that we should “normalize cuckolding” so I could openly do that without any of the negative connotations that come with that. It was kinda a joke between Ben and me and then he used it in some of our promotional work. People really took to it and it kinda took off. After a while we decided to lean into it and do seminars, podcasts, and set up a whole site dedicated to it.

Roxy’s Puffy Pussy

In reality, “Normalize Cuckolding” is really about not kink shaming. While we want to reduce the stigma of being a cuckold, because none of the stereotypes are close to being true in most situations, we also want people to be able to explore whatever they enjoy without the fear of what other people think or how they are going to react. We have one trip through life; everyone should be able to enjoy it how they want. As long as what you are doing isn’t hurting anyone, you should feel free to do what makes you happy.

Roxy’s Mons Pubis

Roxy Can’t Get Enough!
L: What has been the response to “Normalize Cuckolding”?
R: People love it. There really hasn’t been any negative response and in fact it seems to have helped people. We often get emails or DMs from people we have helped get into the lifestyle through our content. What was really cool was that at Exxxotica 2024 NJ, 2 young guys came over to our booth and we were talking and one of them started to say how cuckolds are just weak, little men who can’t satisfy their wives. I then asked 6’7″ 400lbs Ben to come over to join the conversation. Not only did that shut him down, but his friend actually schooled him on all of the positives of cuckolding and the reality of what most cucks are like. So, for the most part, it seems to help others understand the kink and is helping others understand it a bit better.

Roxy’s Brand

Roxy puts out the call


That Glaze!
L: Best cuck experience you’ve had so far?
R: We got an AirBnB and a hotel room. I took Ben to the hotel room and made him get naked and locked his PA piercing to a kettlebell so he couldn’t move or do anything. I then went to the AirBnB and spent the night with a very well-hung bull. It was the best sex of my life. After fucking all night, I went and got Ben from the hotel room but sat on his face and made him clean my very full, very sore pussy first. Then I brought him back to the AirBnB so he could make sure he thanked my bull before he left. This was one of the hottest things we have done.

L: When did you bring Kallie Freya into the mix and what’s the story behind “Crimson Chaos”?
R: We were shooting at Exxxotica and Moses brought her to our room to shoot a threesome scene. The chemistry between us was electric. It was clear there was a connection between us. After that we became very close friends and started to work together. Both of us being redheads, we decided on the name Crimson Chaos. Currently our schedules and lives are kinda pulling us apart, but Kallie is one of the most authentic, friendly, caring people you could ever meet.

Kallie Freya and Roxy Dover

Kallie and Roxy on Vacation

Kallie and Roxy

Kallie and Roxy – Killer Curves

Kallie and Roxy share an intimate moment

Kallie and Roxy normalize cuckolding together
L: Favorite porn stars (amateur or professional)?
R: Every single person I have worked with has been amazing. Either we are doing a great job vetting talent or most porn stars are awesome people, but the vast majority of the time I walk away from a shoot wanting to work with the person again. Also, being in the industry you grow a deep respect for what other talent is going through. This is a nonstop grind where you have to keep moving. Being a porn star is not easy. When collaborating with others, they become your partner in this so it’s really hard to select just a few who are my favorites. Now I do have a small list of people I will not work with, but I’m going to keep that to myself.



Kallie has some moves of her own.
L: Favorite films, books, or TV shows?
R: There is a pretty sweet collection of books called Match, Cinder & Spark; they are pretty good. We don’t watch many movies, but for TV we are usually binge watching something from years ago. We are currently watching “Everybody Loves Raymond,” just finished “Home Improvement.” I always have “New Girl” on during the day when I’m home. I like simple and funny things to watch; nothing that’s going to make me depressed or over tax my brain to think about…..comfort shows

L: How does your hotwife/cuck relationship compare with what you’ve read in the Match, Cinder & Spark books?
R: Every hotwife/cuck relationship is different. It seems in the book there is a loving primary relationship with a dominant partner who loves how slutty the other one is. Our relationship is kind of like that. Real cuckold relationships are rooted in love. I hate when guys ask me to cuck them; it’s simply not possible. I don’t love them. There is no way you can truly understand what it feels like to be a cuck or a hotwife if it’s not done in a loving relationship. I also like when Ben is dominant when we are together. I’m naturally submissive and some of the stuff I want to explore, like say knife play, can only be done with someone I trust. The issue we run into is that Ben also prefers to be submissive and craves that loss of control. So, in our relationship when we are alone, Ben is more of a switch.

Kallie and Ben
L: What would your dream date with me entail?
R: I’m Bi so I always enjoy a sexy lady like yourself. I’m also a size queen, so I love big dick as well. So, for me a dream date would be: we get a nice hotel room, enjoy each other for a bit, order a pizza, cause I love to see a curvy woman like you eat naked and be fucked, and then invite over a few well-hung studs to pound us the rest of the night. Maybe we kick them out when they are done and we can cuddle while eating some cake and watching TV as we fall asleep together.


L: What can we expect from you in the near future?
R: Just plugging away at the website and trying to further the normalize the cuckolding movement. Also, we have gotten into VR porn over the last few years and I think I’m going to make a bigger push with that this upcoming year.

L: Thanks so much! This has been fun!




Come and Get It!
Summertime: Dogs, Wieners, and Buns

Woof!
“Hello?” Lo said, answering her phone after looking at it with a quizzical look. She didn’t recognize the number.
“Oh, Hi Scarlett!” said Lo into her phone, smiling and twirling her hair.
The rest is the one sided phone call I eavesdropped.
“No, that’s fine.”
“Really?”
“Oh, yes. Completely.”
“Got it. Yes. I will.”
“Thank you. See you then!”
Lo hung up the phone and I could see that she was twitterpated.
“What was that all about?” I asked, a tad disturbed to see her so visibly affected by someone else’s voice.
“That was my editor.”
“Editor?”
“You know, for Collin’s project.”
“Which project is that? He has so many, I get confused.”
“Oh right. The Wank-a-Way.”
She laughed. “It’s not a Wank-a-Way. It’s going to be a respectable museum.”
“Where men can go to wank off or be wanked off by a certified technician.”
“Well, yeah. Like that, but. . .”
“But Collin has a way of making it sound more sophisticated.”
“Yes.”
“You best not be caught in there – I have a feeling he’ll get busted for prostitution within days!”
“It’s not prostitution.”
“I know, I know,” I said, repeating her oft invoked claim that “It’s a sperm donation site with fine art and technical assistants on hand for, well, to lend a hand.”
“That’s better.”
“Anyhow, what did your editor want?”
“I gave her a few binders full of women last week. . .”
“There’s got to be a better way of saying that,” I interrupted.
“And she said she wants to do a room that is just about summertime.”
“OK,” I said.
“So, she wants me to come over today and show her what I have in order to examine the possibilities.”
“Is that how she phrased it?”
“Yeah, almost word-for-word. You know I have a quasi-photographic memory.”
“For certain things,” I said. She knew what I meant because I knew that she meant she can remember just about every image of porn she’s ever cum to and every word her lovers have spoken in the heat of passion. It’s really an uncanny skill.
“Why?”
“It sounds like she has ulterior motives.”
“I sure hope so. She is hot!”
“I’m so glad for you,” I said and I couldn’t help sounding bitter.
“Oh,” she immediately chimed in, “are you jealous? Jealous of my editor?” She was rubbing the back of my head and looking concerned, but her tone was one of teasing.
“No, I’m not jealous.”
“Good,” she said, just as quickly stopping her caresses and ending her concerned tone, “because I have to get ready.”
“Get ready? Ready for what?”
“To meet her, silly. What should I wear?”
“Today? Sunday? She ‘s working? You’re going to meet her?”
I followed her from the living room to the bedroom. She was already going through her panty drawer. It is extensive.
“Which ones should I wear? Or maybe none at all? No. That would look too desperate. Or slutty? It might look slutty. And she might like that. But what if it just looks like I want to fuck her? But I do want to fuck her.”
“Lola,” I interrupted her dialogue with herself, “are you telling me you’re going over there today?”
“Yes, of course today,” she said as she slipped into her pink lace thong.
“But weren’t we going to. . .”
“I’m sorry, I have to cancel.”
“Because your pussy is aching to kiss her pussy?”
“That’s a crude way of saying it,” she said. “But I like it and it is accurate.”
I sat down on the bed, dejected.
She noticed.
“Aw,” she said, “I’m sorry. I’d let you fuck me but I don’t want to be stretched out for her, nor do I want to be filled up with cum. I don’t know her that well yet. She might not like it.”
I wasn’t talking. I just watched her get dressed.
“I’m sorry,” she said again. “I’ll tell you all about it when I get back.”
She was applying her makeup. She leaned over her bureau and looked carefully at her eyes as she penciled on the eyeliner. Her ass was protruding outward from under her short black skirt and her breasts were exposed on the bottom from under her pink cutoff top, no bra.
After she finished her mascara, she turned and asked me, “Do I look too slutty?”
“Too slutty for what?”
“You know, too slutty.”
“Darling,” I said to her, condescendingly, “can a person be too rich, too healthy, too good? No. Of course not. And similarly, Lola Down can never be too slutty.”
“Oh,” she said, “you’re no help. I should have known better than to ask a perv like you if I’m too slutty.” As she said this, she slipped out of the pink lace thong she had just put on and she held it to her nose and sniffed.
“What?” I inquired.
“Wet already. Ah well, I’ll just throw them in here in case.” And she stuffed the panties in her little bag.
She put on her strappy black leather heels and then gathered up some more binders. She piled them about five high in a stack.
“Summertime, eh?” I asked, fingering the binders.
“Yeah, you know: dogs, wieners, and buns.”
“Are you listing three foods or naming what you like to fuck you, what you like to put in your mouth, and what you like to see on the beach?”
“I don’t have to be subjected to such ridicule,” she said, haughtily as she picked up her binders.
“Well, tell Scarlett I say hello.”
“I most certainly will not!”
“Then be sure to. . .”
She didn’t let me finish. She was out the door and hopping in her car. She gave a “toot toot” from the street and waived with her fingers at me as she drove away.
She was driving to Scarlett’s house, not the office, since it was Sunday.
Lo arrived at Scarlett’s suburban house. It was quaint. Built in the fifties, it retained the façade of clean, wholesome, country living. As Lo pondered it, sitting in the driveway looking at the white house with red shutters, she thought that it was the sort of house you might see in Home & Garden. All the flowers were in bloom. Everything was perfectly placed to look just a little out of sorts, but by design rather than by chance.
Lo grabbed her binders and strutted to the front door. She rang the bell. Through an intercom, she heard Scarlett say, “Just come in. It’s open.”
Lo opened the front door that was, indeed, left ajar. She stepped into the entrance way and heard Scarlett’s voice ring out, “In here!”
Lo followed the sound of the sing-song voice to the kitchen where she found Scarlett sitting at a portable desk in her kitchen. Lo looked around and marveled at the incongruity between Scarlett’s sexy red lips, her disheveled hair that Lo just wanted to grab as she forced her to face fuck Lo’s clit, Scarlett’s seductive cleavage revealed by the strategically nonchalant blouse that was unbuttoned just enough, and the kitchen, which could have been right out of her grandparent’s house.

Scarlett was looking down at some notes she had scribbled next to the portfolio Lo had left with her last time. But what caught Lo’s eye was that Scarlett was drinking from one of the limited edition tea cups made with Lo’s naked hips in full color on it.
“Hi,” said Lo, bashfully.
“What did you bring for me today?” asked Scarlett, getting right down to business.
“Well, you asked for a spread of ‘Summertime,’ right?”
“Yes.”
“Here you go.”
Lo felt oddly like a religious supplicant bringing an offering to her goddess, placing it before her for the goddess to approve or disapprove.
Scarlett looked through the photos. As she turned the pages, she said, “You took my words literally.”
“What do you mean?”
“Dogs, wieners, and buns.”

Beach Babes

Wet and wild Bryana Sparks it up in the pool

Daizha Morgann

Daizha Morgann

Jennifer Battistoni Kincade

Jennifer Battistoni Kincade

Jennifer Battistoni Kincade

All Bodies are Beautiful

Beach Babes

Buns
“Well, I aim to please. Do you not like them?”
“Oh, I like them a lot. Especially this one,” she said, pointing to. . .
Just then, startling Lo, a large dog came bursting into the kitchen from the back door. He was wet and muddy, and he immediately stuck his cold, moist snout up and under Lo’s short skirt and began licking rapidly and with the enthusiasm that only a happy-go-lucky devil-may-care dog can have.
“Woe there!” exclaimed Lo in a high-pitched voice.
“Down Reilly! Down!”
The dog paid no heed to his mistress.
“Reilly!” commanded Scarlett once more. He just continued to lick and nudge at Lo’s bottom, pushing her forward into the kitchen island until she had to brace herself with her arms holding onto the granite countertop. He began to get up on his hind legs. Scarlett jumped to action and grabbed him by his collar, careful not to let his wet and muddy fur soil her cute dress. She pulled him down, off of Lo, who spied from the corner of her eye that the friendly furry fiend had a large, pink, wet erection.
“I’m so sorry,” said Scarlett in a rare display of contrition. “He goes wild for women.”
“Oh,” fluttered Lo, trying to be polite, but displaying her confused emotions in her voice, “it’s ok.”
“It’s just the two of us here. He’s the man of the house, if you will, and just loves to dominate any woman who walks in the door.”
“So, I’m nothing special.”
“Oh, I wouldn’t say that,” said Scarlett as she led Reilly out the back door and threw a tennis ball for him to fetch, before shutting the door and making sure it was securely shut. Lo could hear Reilly when he returned scratching at the door and whimpering pathetically to be let back in. “He shows unusual exuberance for you. He must detect something very special about you.”
“His name is Reilly?”
“Yeah,” laughed Scarlett. “He always reminded me of the actor, John C. Reilly, so I called him Reilly.”
“I can see the resemblance.”
“As a result, I have a mad crush on John C. Reilly,” added Scarlett enigmatically. Scarlett looked at Lo’s bare legs and her skirt. “Oh no! Look at you! You’re a mess!”
Lo’s legs were splattered in mud and she was dripping from her inner thighs. Dripping from the wet dog or from the wet pussy? Not clear. Probably both.
“It’s nothing,” said Lo politely and demurely. “I enjoy being a dirty girl.” Her turn to be enigmatic.
“No, no,” said Scarlett. “We must clean you up. Come.”
Scarlett led Lo to the large bathroom on the first floor. It too was white tile and looked very mid-century. It had a large, white porcelain, claw-foot tub in it.
“Here,” said Scarlett, “sit.” She patted the edge of the tub.
Lo removed her strappy heels and swung one leg then the other over the edge of the tub.
“Let me clean you up,” said Scarlett, running the water and testing to see if it was too hot or too cold. When it got to the temperature she approved of, she wet down a washcloth. “Here, give me that pretty foot of yours.”
Lo lifted her left leg and allowed Scarlett to hold it with one hand, cupping the ankle with her palm, and ever-so-gently wipe it down with the warm washcloth with the other hand.
Involuntarily, Lo let out a long moan.
She heard herself and caught herself and said, “Sorry. . . it feels so good.”
“No need to be sorry,” said Scarlett, staring deeply into Lo’s eyes a second too long.
She looked back down at Lo’s leg as if embarrassed, and then slowly wiped Lo’s shin, from the knee down. Then she rinsed out the washcloth and rung it out before daring to start again at the middle of Lo’s thigh. She ran the wet cloth all the way down, ever-so-slowly, down to Lo’s toes. Lo bit her lower lip and moaned again.
Rinse, repeat, but this time Scarlett dared to lift Lo’s dress up above her waist.
“No knickers,” observed Scarlett in a non-judgmental, flat tone.
Lo giggled. “That’s such a funny word – knickers,” said Lo.
“Panties,” corrected Scarlett.
“When I hear the word ‘knickers,’ I think of a sixty-year-old English woman who milks cows. I certainly don’t think about a pink lace thong.”
“So ‘panties’ is sexy and ‘knickers’ not?” asked Scarlett.
“For me, at least.”
“You know what is most sexy?”
Lo’s and Scarlett’s eyes locked as Scarlett asked this. Lo could only mouth the word “No.” The breath was not filling her vocal cords.
“No panties at all.” Scarlett then pushed Lo’s legs further apart and applied the warm washcloth to Lo’s aching pussy. “He loves to lick,” said Scarlett absentmindedly.
“Does he?” whispered Lo.
“Oh yes. Did I mention, it’s just the two of us here.”
“Yes.”
“He’s very good company.”
“I’m sure.”
“Fills up those otherwise empty, lonely nights with all sorts of silly games and furry fun.”
“I can just imagine,” said Lo.
Scarlett’s right hand held Lo’s thigh tightly as her left hand held the washcloth, but Lo now felt a finger graze her labia.
“So,” said Scarlett in a hushed tone, “when another woman comes. . .” she paused dramatically, “he thinks that she just wants to play too.”
Lo now distinctly felt Scarlett’s fingers slide over her pussy. The washcloth dropped into the tub.
“I love to play. . .” now Lola paused dramatically, “with dogs.”
“Animal lovers are so. . .”
Scarlett leaned over and her lovely, red, lush lips parted. Lo couldn’t resist. She leaned in and did what she wanted to do since the moment she laid eyes on Scarlett. She kissed her passionately.
Scarlett’s left hand no longer played coy. She slid two fingers up and into Lo’s slit and her right hand slid around Lo’s waist so that, with the pressure between her legs, Scarlett wouldn’t push Lo right off the side of the tub.
When their lips finally parted, Scarlett said, “Turn, so I can wash your right leg.”
Lola obediently followed Scarlett’s instruction and lifted her left leg out of the tub and, with a very unlady-like move, straddled the curved edge of the tub. The toe of her bare left foot just touching the white tile floor and her right leg steadying her in the tub as her crotch was fully exposed, resting on the white porcelain edge of the tub.
Scarlett didn’t look at Lo’s dark, hairy bush, but instead, rinsed out the washcloth with warm water again and rung it out before leaning over starting again down at Lo’s naked right foot and slowly moving her way up Lo’s calf to her knee to her inner thigh. Scarlett then said, “Maybe I could clean you better if I hopped in the tub.”
Lo didn’t object. Rather, her heart skipped a beat when she contemplated that Scarlett would have to get naked to do this task. But that’s not how it happened. Scarlett, to Lo’s surprise, climbed into the tub, fully clothed, but for her shoes, which she left on the bathmat. She then got down on her knees in the little puddle that was on the bottom of the tub. She ran the warm washcloth up and down Lo’s leg with the care and attention of an art connoisseur delicately dusting a priceless alabaster statue. Scarlett was staring intensely at Lo’s crotch as she slid the warm, wet washcloth from Lo’s knee to her inner thigh.
Lo’s head dropped back and she was just about to reach out in front of her, grab Scarlett’s head and pull her in for a good smooch of her lower lips when suddenly there was a CRASH! Both women froze and Scarlett looked up and said, “Reilly!”
Scarlett stood up from the tub and hopped out. Lo followed. They went into the living room and saw a lamp shattered on the floor.
“Bloody hell!” said Scarlett.
Poor Reilly was cowering in the corner.
“What happened?”
“Oh, he probably was humping a pillow on the couch – he does that when. . .” she didn’t complete her thought. “And then the movement caused the lamp to slide off the end table.”
“I thought you put him out?”
“When he’s determined, he finds a way. He must have used his snout to push the door open.”
Lo recalled how forceful his snout was up and under her skirt. He nearly pushed her over with it.
Scarlett disappeared for a moment and returned with a dustpan and a hand broom. She crouched down to clean up the shattered porcelain fragments. As she did this, Lo sat down on the couch and crossed her legs. She picked up a book from the coffee table. It was a large photo book. On the cover, the words “Irina and Eva: Lust for Innocence and Innocent Lust” were embossed in an Art Neuvo gold across the top and a black-and-white image of a little nude girl wearing a Jazz Era hat, furry white vest (covering her non-existent breasts), and a couple of bracelets stood below. The lighting of the image of the girl was such that a shadow from the brim of the hat concealed her eyes. From under the hat, beautiful flowing golden curls unraveled down the girl’s shoulders. Her face was that of a young girl, but she wore luscious red lipstick on her beautiful full mouth. But for the items already mentioned, she stood naked with her arms at her side. The light illuminated her torso, drawing the observer’s eye to the chest and down to her navel. Below the navel was a pale stripe that indicated the small bathing suit or panties that barely protected her swimsuit zone from tanning. And within that white stripe was the outline of a smooth, hairless triangle that tapered in darkness between her small legs that were pressed together. Her body leaned at an angle resembling the Leaning Tower of Pisa, but her head was cocked in the opposite direction. Her nails were manicured and painted and she gave off the aura of a mature courtesan waiting to be chosen by the young patron of the brothel.

Eva Ionesco
After disposing the remains of the lamp that had broken, Scarlett returned to the living room and sat on the couch, to Lola’s left.
“What’s this?” asked Lo as she leafed through the pages, each of which had a glossy photo of the same young girl who was on the cover.
“Oh, that’s a prized possession of mine.”
Lo had turned to a page that featured the young nude blonde girl in a black-and-white spread that covered both the left and right pages. She was lying on her tum, her head propped up by her hands, her blonde ringlets crowned by a garland of flowers, and her little legs in black, knee-high stockings and wearing black shoes. From her knees to her garland, she was naked and the center of the photo was her cute, curved, bare bottom.

Irina Ionesco’s photo of her daughter, Eva Ionesco


Lola’s version
As Scarlett told Lo about the book, her right hand slowly caressed the glossy page.
“It is a book of Irina Ionesco’s photos of her daughter Eva.”
“I’m sorry,” said Lo, “but I don’t know them.”
“It’s a story of love – dark love. You see, Irina, so the story goes, was conceived by the unholy union of her father and his daughter. But that’s just the mysterious and unconfirmed backdrop to this story. Irina became a circus performer and gave birth to her one and only child – Eva in 1965. She began photographing her when she was four years old, which would be fine, but she treated her just like any of her older nude models. These were the so-called “Lolita Photos.” In the seventies – the zeitgeist being what it was – she exhibited her photographs and instantly gained notoriety in the artsy professional photography world. She continued to photograph her daughter – and even lend her out to be the muse of other photographers as well! – until social services intervened and removed Eva from the artistic exploitation of her obsessed mother.”

Eva Ionesco
Lola’s mouth was gaping as she flipped the glossy pages, gawking at the scandalous photos.
“This,” added Scarlett proudly as she again rubbed the smooth pages with her open palm, “was a limited, private print.”
“Where did you find it?”
“Oh,” said Scarlett as if it was no big deal, “it was a gift of Collin’s.”
“Of course,” said Lola looking at Scarlett knowingly.
“You like what you see?” asked Scarlett.
“It’s terrible,” said Lo enigmatically, as her fingers turned the page to look at another photo.

Eva as a cover girl
“She reminds me of you,” whispered Scarlett as her eyes locked on Lo’s and together they put the book back on the coffee table. Lola’s and Scarlett’s lips locked again as Scarlett fell back towards the pillow on the couch. She was now horizontal with Lo on top of her.

Eva, on loan by her mother to the photographer Jacques Bourboulon

Eva in Playboy 1976
They were passionately making out and Lo was running her hand through Scarlett’s hair when suddenly Lo said, “Oh no!”
“What?” asked a concerned Scarlett.
Lo sat up and showed Scarlett her hand. It was wet.
Scarlett sniffed it and turned around. Looking at the pillow that was under her, she said, “Reilly!”
“He, he, he came on the pillow!” said a horrified Lo. “And now it’s all in your hair.”
Scarlett sat up too and the sticky liquid stretched from the pillow in gossamer threads to her hair.
“How did we not see that?” asked Lo.
“I guess we were just focused on other things,” replied Scarlett, trying to prevent the mood from souring and attempting to pull Lo back down onto the couch with her. Scarlett’s head fell back onto the K9-cum-covered pillow. She reached to pull Lo down with her. Lo hesitantly fell back into her arms.
Lo was lost in Scarlett’s wet, warm, red, lush lips as they kissed passionately. Lo’s legs were squeezed together between Scarlett’s which were spread wide to welcome her. Just as Lo was loosing herself in the lust she felt for this older woman, she suddenly felt that same cool, wet, insistent nudging pressing on her mons pubis from behind.
Lo immediately lifted her head and looked behind her. There was Reilly all riled up again, nudging his nose up and under Lo’s short skirt.
“He’s relentless,” said Lo.
“He’s horny,” replied Scarlett.
“He just came!” protested Lo.
“Oh, he usually is good for like three or four rounds.”
Indeed, it looked like Reilly was eagerly getting ready to mount Lo as he had mounted the pillow earlier.
“Let’s switch places,” said Scarlett as she nearly wrestled Lo on the couch and forced her into a submissive role under her on the couch. Scarlett through the soiled pillow on the floor so as not to get Lo’s thick, dark hair all sticky as hers was now.
Lo was flat on her back on the couch and Scarlett was lying on top of her, making out with her as she squirmed out of her pants and “knickers.”
Then Lo could feel the rhythmic thumping happening as well as some painful scratches from sharp nails on her ankles and feet. Scarlett was moaning.
Lo looked up and over Scarlett’s shoulder. There was Reilly, mounted on Scarlett’s ass, going to town on her as he had on the pillow only a few minutes earlier.
“Is he in you?” Lo asked.
“Knotted in place, yes.”
Lo squirmed out from under Scarlett. Scarlett desperately tried to hold her there.
“What?” asked Scarlett. “Don’t go! Kiss me. Fondle me. Please.”
Lo had already gotten up and was looking down at Scarlett and her pooch. The latter was rhythmically and forcefully filling and thrusting the former’s wet hole, his front paws on the back of her blouse. She was rendered immobile by the activity.
“Wait! Please!” begged Scarlett.
“I think I should go,” said Lo.
“No. Please. You can be next. Promise.”
Lo slipped into her heels and said, “Call me when you have an opening free for me. . . in your schedule,” said Lo.
There was nothing Scarlett could do or say. She was knotted firmly and was at Reilly’s mercy, if he had any, until he came and his knot became detumescent.
Newest Members of The Match Book Club – Peach State Couple
In our quest to spotlight hot, sexy, and real people who have written to us to tell us how much they enjoy the stories in the various volumes of Match, Cinder & Spark, this week we bring you a loving couple who have had more than their share of adversity and who have transformed their sorrows into sheer sexiness! Please welcome Peach State Couple into The Match Book Club! Here they are in their own words and photos.

Peach State Couple getting it on
We have been married 25 years and together 30. We have always had an amazing relationship but the room was not on fire in the bedroom. Like many couples we didn’t know how to have the right conversation about what we really needed.

Peach State Couple
Then it happened, Mr. was diagnosed with kidney failure and began dialysis treatments. We continued on but realized that we needed to begin treasuring every day like it was our last because it truly could be. We sat down and started to admit what we needed and what we were not getting and it was like a gift from heaven. Suddenly our bedroom was on fire with passion and sensuality.

Mrs. Peach’s sex ass.
Mr. received a transplant and life was good, but it was short lived. About 5 years ago Mrs. was diagnosed with breast cancer. We were terrified of what life was going to bring us. Chemotherapy, radiation, and a double mastectomy later and we made it through with just a few physical changes.

Mrs. Peach’s friend Lexi

Mrs. Peach post surgery

Mrs. Peach
We have continued to devour one another whenever we have the chance and even though she lost her nipples Mrs. is still a sexy sensual being to the utmost degree. One day while enjoying one another’s bodies we made the joke of how hot it would be to post some of our sexy pics online, and had some of the hottest sex we had had in a while. Our photo shoots got sexier and sexier as we fantasized about people looking at and getting off to our pics, and then before you know it we had started a Bluesky and then later an Only Fans.

Mrs. Peach showing off her assets.

Mrs. Peach St. Patty’s Day celebration

Mrs. Peach, Lady in Red

Mrs. Peach – A Night in Paris

Mrs. Peach’s pretty peach
The thought of strangers being turned on by us to the point of masturbation makes us so hot. This lead us to Match Cinder and Spark, we loved reading the stories out loud to one another but the ultimate is for Mrs. Peach to listen to the audio version while Mr. Peach pleasures her in every way possible. This book is hot and sexy on so many levels and really gets us going!

Mrs. Peach getting off to Match, Cinder & Spark

What’s good for the Mrs. is good for the Mr.
Look us up on Only Fans https://onlyfans.com/peachstatecouple , Blue sky https://bsky.app/profile/peachstatecouple.bsky.social , and instagram https://www.instagram.com/peach_state_couple?igsh=MXM5bnZoNWMzOGJ6cg%3D%3D&utm_source=qr
Follow along in our sexy adventures as we rediscover our love and passion after all that we have been through and survived.

Mrs. Peach in a sexy pose

Full Color Peach

Mrs. Peach submits in a Kajira position

Mrs. Peach sexy one-piece

Juicy, ripe, round peach

Peaches for the thirsty

Emphasize the positive!

So cute!

Lo’s favorite color!

Compare, contrast

Mrs. Peach does “The Bed Spread”

Mrs. Peach assets galore

Kinky plug, it glows in the dark!

Frills that thrill

Mr. Peach shows his appreciation for Mrs. Peach

Mr. Peach was given an assignment by Lo. Step 1: Go into Mrs. Peach’s panty drawer.

Step 2: Pick out sexy panties and put them on. (Look how hard he is!)

Step 3: Masturbate to Lola while Mrs. Peach is away.

Looks like Mr. Peach was happy to fulfill Lo’s commands.

Lo told him to cum for her.

Looks like he was happy to make Lo happy.

Almost there. Looks like Mr. Peach is a real ass man.

Just three strokes more and. . .

Success!

Don’t worry, he also jacks to Mrs. Peach too!
Thanks to Mr. and Mrs. Peach of Peach State Couple for this lovely cumtribution!
Interview with Safe Word author: Molly Weatherfield, a.k.a. Pam Rosenthal
If you missed Part I of our two-part interview with Pam Rosenthal, whose erotica pen name is Molly Weatherfield, then you will want to check out THIS POST.
Her award-winning first book, Carrie’s Story, was followed by an even more wild adventure – both in terms of plot, sex, and narrative style – Safe Word.
Here is Lola’s interview with Molly and also an amazing illustration done by our dear friend in Ukraine, Sergii. The illustration shows Lola, lying down on the floor, reading Carrie’s Story, as Pam Rosenthal (top left) looks on at her fictional author, Molly Weatherfield (top right) and Molly’s fictional character, Carrie looks to her creator with admiration.

Pam, Molly, Carrie, Lola
Questions for Pam Rosenthal, a.k.a. Molly Weatherfield – PART TWO – Safe Word
Lola – I’m so glad you enjoyed the first interview and have agreed to a second for the sequel book, Safe Word! As I said at the end of our last interview, I totally needed a sequel because I didn’t want Carrie’s Story to end – especially not where it did end. But, I have to say, Safe Word did not follow any of the possible narrative sexcapades that I had imagined at the end of Carrie’s Story – and I imagined a lot!
This will be a tricky interview because I don’t want to give away too much of the book for anyone who hasn’t read it yet, but – OMG! – you really took off for the sequel! As in, Safe Word was off to the races!
Compared to Carrie’s Story, this book has a lot of steamy man-on-man sex and BDSM. Where did that come from and, again, were you worried about pushing boundaries or even warping genres?

Safe Word by Molly Weatherfield
Molly – Actually, I was so surprised to be writing it at all, that I never thought about whether I was taking things too far. I mean, I had told everybody that Carrie’s Story was a one-off, and that I was done. And then I found out that I wasn’t, which was such a gift, and so unexpected, that I just ran with it.
As for the man-on-man sex, I don’t remember it as being a conceptual departure from the first book. It’s just that in Safe Word there are more opportunities for variation. Carrie has moved on to a bigger world, with more possibilities, while Jonathan is kind of rediscovering that world. What wasn’t entirely explicit in Carrie’s Story (though Kate is kind of grumpy about it) is that for the year or two when he’s most involved with Carrie, Jonathan has stopped being active in the association and its doings. But with Carrie gone, his old life comes rushing in on him again. What I was going for was a sense that the magnitude and the variety of this hidden world of sexual exchange and domination should be always revealing more of itself to the reader, through Carrie’s and Jonathan’s narratives of the year they’ve spent apart. I used to call this the “Snoopy’s doghouse” approach, but clearly, it was a way to conceptualize my own fantasy life as I explored it.
Lola – There were a couple of points in the novel where I laughed out loud because the plot went in such an unexpected direction. For instance, the rivalry between Carrie and Stephanie really reminded me of some of the YA books I had read. And then, while in the stable, Carrie befriends her neighbor by clandestinely using a piece of rubber tube to communicate between stalls. That reminded me of a scene from V for Vendetta, which came out much later than your book. And you mentioned to me before the interview that the first scene of the book is right from Little Women. Two more disparate books, I think, could not be found. Was this sort of juxtaposition of texts part of your plan or did it just come out that way and you realized it after?
Molly – I don’t know anything about V for Vendetta. But the Carrie and Stephanie rivalry is very YA, you’re right. And it was inspired by something that happened years ago among a bunch of adults, including me, who were traveling and working together. And because of the pressures of the situation, we found ourselves sometimes acting like bratty teenagers, even to the midnight giggling and whispering. Not proud of it, but there you are.
As for Little Women, thankfully it was only after I’d finished writing the first scene of Safe Word that I realized that I’d copped it from the scene in Little Women when Laurie first catches up with Amy in Europe. In the Greta Gerwig movie the scene is shown from the p.o.v. of Amy in the carriage with Aunt March. But in the novel, it’s very similar to the scene in Safe Word: first a kind of birds-eye view of the setting in the south of France, then focusing in on a very handsome American man who’s being rather ogled by passers-by while he waits for a particular young woman.
Here are some snippets of the passage from Little Women:
At three o’clock in the afternoon, all the fashionable world at Nice may be seen on the Promenade des Anglais, a charming place… Along this walk, on Christmas Day, a tall young man walked slowly, with his hands behind him, and a somewhat absent expression of countenance… which caused sundry pairs of feminine eyes to look approvingly after him… There were plenty of pretty faces to admire, but the young man took little notice of them, except to glance, now and then, at some blonde girl, or lady in blue.
And here are some parallel bits from Safe Word:
The city itself [Avignon] is heavily touristed… On this particular day… however, it was sunny and lively… An American man was sitting at one of the cafes… and he’d been glancing up eagerly whenever a slender young woman, especially one with close-cropped hair, came from that direction… Lots of attractive people were strolling… lots of women he liked looking at… and since he was extraordinarily good-looking… none of this was going unnoticed.
What was so remarkable to me when I finally realized what I’d done, was remembering how much I’d loved the scene in Little Women when I read it as a breathless 9-year-old, just knocked out by what I took to be its elegance and sophistication. The point of view and the rhythm of the phrasing had clearly imprinted itself onto me and yet my conscious mind didn’t remember it at all; when I was writing that part of Safe Word I was focused on the Avignon history (which are themselves copped from Francine du Plessis Gray’s At Home with the Marquis de Sade, the book I’d reviewed for Salon.com).
But then, in both Carrie books — and really in everything I’ve ever written — I used so much of what I’d read and experienced, even when it might not appear directly apposite to the subject at hand, which I think is awesome evidence of the heavy lifting the mind and memory are capable of during the creative process. Once, at a reading, I was introduced by the author and anthologist Violet Blue, who said to me, jokingly, “I feel that I know you.” To which I replied, about 90% seriously, “You do.”
Lola – Whereas Carrie’s Story was, like many erotica books, a romance novel with kinks and explicit scenes, Safe Word is a much more complex work. I really appreciated the multilayer narrative. On one level you have Carrie, who is in love with life in general and is open-minded and willing to experience all of it. (I love that about her!) But there is always the lingering question in the background of the book (carried over from the first novel) of whether she will get together with her most obvious love interest, Jonathan. But Jonathan is engaged in his own love affair with Kate. And then, because none of these characters are simple, one dimensional, or merely functional for the plot, there is always the possibility that Kate and Carrie will fall in love. I had no idea how it would end, even right up to the last pages! How did this complex plot develop?
Molly – For maybe three quarters of the process, I didn’t know how it would end either. And I guess that I only found my ending when I’d realized that I’d come to the outer limit of my erotic imagination; the feeling that I couldn’t make things any heavier, deeper, or more hardcore and still continue having fun in fantasyland.
Kate’s my favorite character in some ways. I have no idea where I got the idea for her, but I’m always wanting to know (i.e. imagine, i.e. write) more parts of her backstory, to account for her toughness and honesty. I was also kind of obsessed with how Jonathan’s such a pampered little prince: I enjoyed imagining him, but I found myself resenting how much he gets away with; I remember explaining to author and sexual activist Carol Queen that I thought of him like my cat — so beautiful that somehow he existed to be spoiled and indulged. I found their story provocative, sexy, and a bit troubling — as Carrie does, even if she begins to wonder whether it’s her story any longer.
Lola – And, while we’re on the topic of narrative complexity, the trading of stories between Carrie and Jonathan as they seduce each other and then seduce each other again was brilliant! Of course they would seduce each other with words. I can appreciate breaking with conventional narrative form. This book is so inventive, not just for erotica, but as a novel. Did you feel as if you were breaking new ground that way?
Molly – I’m not really satisfied with how it flows between Carrie’s narrative, Jonathan’s narrative, and the overriding omniscient storytelling, but it was the best I could do with what technical chops I had. So I guess the best answer is that I was breaking new ground for me, and maybe for a certain kind of erotica, but that I was and am haunted by knowing that there are narrative techniques that I didn’t (and don’t) know how to employ. Yhat isn’t at all to say that I’m sorry I wrote it. I did the best I could with what I wanted to say, and in many ways it’s my favorite of my books.
Lola – One aspect of the book I really enjoyed was that the “masters” or “owners” were not only rich men. And the “slaves” or “subs” weren’t just women. (Other than Carrie, we don’t really know their socio-economic status in the civilian world.) There is a certain sexual equality in the book, if not economic equality. I also took particular delight in Jonathan’s punishment for breaking the rules. That really put a dent in the sense that these rich folk were beyond being flogged themselves. And, it’s clear throughout that Kate is the dom to just about all the other characters. Did it just flow that way as you were writing it, or did you have a political statement in mind?
Molly – Again, the sexual equality was what I’d learned from Anne Rice’s Sleeping Beauty books. I didn’t have a political statement in mind, although I suppose these days you could look at it that way. At the time, though, I was just glad to be exploring the world I was imagining, and grateful to those who’d given me a world of increased possibility.
Lola – “Feminism” means something different to just about each person who uses the word. I could picture some self-proclaimed feminists (especially Second Wave Feminists) getting their panties in a bunch about your erotica. But one aspect of Third Wave Feminism that I really embrace is the sex positivity – the notion that we all have our little kinks and there’s nothing wrong with living them out loud. So much sexual repression is a function of patriarchy and a healthy sexuality can look and feel all different ways for different people, including Male Dom/Female Sub relationships. Such relationships are not necessarily symptoms or results of patriarchy, or not simply so, at least. Did you receive a lot of criticism from other women/feminists for your writing?
Molly – No criticism at all from women or feminists. I know, it’s weird, right? But true nonetheless.
Lola – I’m sorry for my ignorance, but I wasn’t even born when this book was published. So, can you indulge me a little? The pony play. Where did that come from? If I do a Google search now for “bdsm pony girl race” I will get hundreds of images of women in various states of dress (leather, buckles, naked but for the harness, etc.) with bits in their mouths pulling little rickshaws with doms ready to whip them. I lack the historical knowledge to know if all this porn was inspired by your book (was it the first of this sort?), or if there was already a sub-culture of cosplay or other BDSM play that inspired you.

Molly – Pony play was around before I wrote Carrie’s Story, but I didn’t know about it. I only found out about it after I’d finished a short first draft and was looking for ways to extend it to novel length. Visiting a San Francisco leather/fetish store for inspiration, I found a glossy magazine containing an extensive photo shoot of some real-girls’ pony farm somewhere — or maybe it was all staged, I don’t know. Anyway, I leafed through it in kind of a fearful fever dream, jammed the magazine back onto the rack, stumbled out of the store, and drove home. Only to turn around, get back in the car, drive back, buy the magazine, read it over a few times, and write the Sir Harold chapter in a crazy burst of words that I’ve never been able to equal. It wasn’t writing, exactly: it was copying, as fast as my fingers would go, what my frenzied imagination was dreaming up as fast as it could. And then I retrofitted the earlier chapters around it.

Lola – Since our last interview, you mentioned that you wanted to post a link to the interview on your Facebook page, but were concerned that the censors might punish you for it. Along the lines of historical reference, can you talk about what sorts of shifts you’ve seen politically and artistically in tolerance and censorship with regard to erotica? There seems to be a growing movement in England and America to reduce access to certain material. I know we, with our blog, have been constantly challenged by censorship. I get my social media zapped on the regular and certain companies that transfer money refuse to send us funds because the money is made through sexually explicit material. What have you seen over the years?

Stroll?
Molly – First about censorship: Honestly, it’s been such a long time since I’ve written or actively promoted myself that I don’t have any specifics, but friends who are still writing are always dealing with it, and though I know stuff is always being challenged on Amazon, I’m sorry that I really don’t have any insights to share. I posted the link on my Molly Weatherfield page, which Facebook said it was going to take down. But they haven’t yet, so I’m totally confused. But I didn’t paste a link from my Pam Rosenthal page because I use it to connect to old friends and extended family, and I don’t want them to shut that down, so I’m more circumspect about erotic posts there.
As for shifts in standards, a few wildly unrelated points:
- I’m guessing that these days there’s a lot of really intense stuff out there, of a sensibility to appeal to readers of a different generation than mine. I’m told that my teenage granddaughters read stuff that’s crazy explicit (not my stuff, but who could blame them?). But I’m shy to pry too deeply, so I don’t know much.
- I’ve always objected to any pornography that tries to locate kinky sensibility in childhood trauma; it seems to me that when you do that you delegitimize freedom of choice and imagination by pretending to be on the side of the “victims” while at the same time scapegoating some nasty “victimizers” by blaming them for your own fantasy life. To the extent that Fifty Shades was coherent, it seems to me that it played that nasty trauma card while going all swoony over private jets and diamond bracelets — but since I found the book a dreary, disorganized read and wound up skipping long passages, who knows what she was getting at?
- What most troubles me right now is a kind of eroticizing of totally illegitimate power, as described in this powerful, smart, and scary essay: https://slowcivilwar.substack.com/p/thats-bait. If there’s anything I’ve tried to be clear and consistent about in these interviews it’s that I always situate my fantasies within a framework of total consensuality and freedom to say no. I really hate erotic fantasy that’s in any way based on coercion, and my imagination tends to shrivel up in horror when I don’t feel safe; which I don’t, these days — less as an erotic writer than as an ordinary American who cherishes democracy and the rule of law.
Lola – Lightning round of questions: Favorite erotica author? Favorite book (of any genre)? Favorite poet? Favorite movie? Favorite porn star? Favorite play of Shakespeare’s? Favorite sex toy? Favorite age (meaning, did you love your 20’s, 30’s, 80’s the most) and why?
Molly – Pauline Réage, who wrote Story of O, has got to be at the top of the list. Erotic authors I’ve admired over the years are Michelle Tea, Aaron Travis, Thomas Roche. I’ve mentioned Anne Rice’s Sleeping Beauty books, but I need to add that the direct inspiration for the association comes from the opening chapter of Rice’s book Exit to Eden. Actually, I’ve been reading more erotic poetry than fiction lately. Natalie Diaz’s book, Postcolonial Love Poem, has some really hot writing in it and won the 2021 Pulitzer Prize for Poetry; and you should run-not-walk to buy The Poetry of Sex, edited by Sophie Hannah.
I don’t have a favorite porn film, but the most smoking hot movie I’ve ever seen is Ang Lee’s Lust, Caution, starring the sexiest film actor I’ve ever seen, Tony Leung.
All-time favorite pieces of writing: Grace Paley’s short story, “Friends”; The Great Gatsby by F. Scott Fitzgerald (imo the great American novel); and Proust’s epic In Search of Lost Time, which is kind of my basic spiritual discipline.
Favorite play of Shakespeare? When I was young it was Much Ado About Nothing, clearly the first romcom. Now it’s absolutely King Lear, particularly in this version: https://www.ntathome.com/king-lear/videos/king-lear-trailer
No favorite sex toy, just some simple basics.
As for sexual decades: it was pretty great when I was writing Carrie in my 40s, but as we approach 80, there’s a new kind of beauty to it, for which we are profoundly grateful.
Lola – I don’t know if you have kids or grandkids, but, if you do, do you have any regrets about writing erotica since they will probably eventually be reading your work? Do you ever look back and think, “That was fun to write, but, OMG! I should have never published that!”?
Molly – Our very smart son, a literature professor, has managed to be entirely circumspect about my erotica for the last 30 or so years. I have no idea whether he’s read them or not, which is just fine by me. And I’m guessing that his two astonishingly literate daughters will be pretty much the same.
Still, I do sometimes have second thoughts about my books — again, because they’re still out there, in a world where cruelty has been instrumentalized and eroticized. So sometimes I have to pick up one or the other of them and reassure myself that that’s not what I was doing — far from.
Lola – Last question. Not sure if you have had a chance to read or listen to any of HH’s writings about me/us, but if you have, any thoughts?
Molly – Only a few sentences, so I can’t comment. But I love the idea of you guys sharing an erotic and a creative life as a single enterprise. Way to go and wishing you all the best.
Lola – Thank you so much! This has been a rare treat!!!
Molly – Thanks to you as well. I’ve been kind of grieving the fact that I’m not writing any more. But your smart, engaging questions have helped me sum things up and to own the astonishing experience of writing these books.
Molly Weatherfield, author of Carrie’s Story and Safe Word, a.k.a. Pam Rosenthal Interview
Dear fans of erotica and romance, today we have a very special interview for you:
Pam Rosenthal, a.k.a. Molly Weatherfield – PART ONE – Carrie’s Story
Pam/Molly is an award winning author in both the genres of romance and erotica! That doesn’t happen to just anybody! I had just finished reading her first published erotica novel, Carrie’s Story, and I felt such a kinship with both the titular character and the author. I looked her up, reached out, and – to my great luck – she was willing to chat! Then she was willing to do an interview. Now, if you haven’t heard of her (and, I admit, I had only heard of her in passing about a year ago), you totally should have! Why? Because her writing – style, plot, characters, and basic command of the English language – put that other ho-hum popularizer of erotica/BDSM fiction to shame! That’s right, 50 Shades should have been called “50 Degrees Not-As-Good-As Molly Weatherfield!” Or maybe, “16 Years Late!” No, really! Anything that pale best seller had to offer was there in Carrie’s Story, and more – whoa so much more! Don’t take my word for it. Read both for yourselves and get back to me.
Luckily, some have seen the quality in Molly/Pam. In October of 2006, Playboy called Carrie’s Story one of the top 25 sexiest novels ever written! Number 12, in fact – just after Lolita (which, in HH’s humble opinion is the best erotica ever written) and just before Erica Jong’s Fear of Flying. Not too shabby!

Playboy’s 25 Sexiest Novels Ever Written

Number 12 – Top 50 Percentile
That’s not the only list she’s made. There’s also “33 of the Best Erotic Novels of All Time.” Now, if you read that list, you’ll see that it is hardly “of all time.” I mean, there’s nothing prior to Lady Chatterley’s Lover from 1929 on the list. But hey, “33 of the Best Relatively Recent Erotic Novels” just doesn’t have the same pizazz.
Speaking of lists, one particular author I know (in a Biblical way) made the list of ranker.com‘s “Best Sensual Fiction Writers” (even though HH isn’t writing “fiction”). We’d both appreciate it if you’d take a moment to vote us up on the list. Thanks!

Classic and Updated
Now, let’s get to the interview!

Carrie’s Story (updated cover)
Lola – OMG! It is such an honor to interview you! However, I have to be honest, so far I have only read your BDSM erotic novel, Carrie’s Story. That’s why this interview is PART ONE. I look forward to reading Safe Word and then having a second interview. And, maybe, when I can, reading some of your Romance work, like A House East of Regent Street, which you published under your own name, Pam Rosenthal. But tell me, what’s your background? How did you get into writing?
Molly – I’ve always thought of myself as a lifelong English major, in love with reading and writing, and a little shaky in terms of earnings potential. For most of my life I managed to pay the bills as a computer programmer, which was hard, though also stimulating, pretending to have technical chops. Before Carrie, I never considered writing fiction; what writing I did was lit-crit or wonky nonfiction stuff, often about computers and science fiction, published in obscure leftwing venues, but pretty exciting to me intellectually and even artistically (I got the name Molly, for example, from the mirror-shades girl in the classic cyberpunk novel Neuromancer).
I’ve also been a feminist since I came to adulthood in the late 60s (I’m pretty old, as anybody who did the math can figure out). And I also had a secret passion for SM erotica, at least since high school when I somehow glommed onto the Marquis de Sade. Which two parts of my belief system weren’t easy to reconcile, especially since 60s-70s second-wave feminism was particularly disapproving of anything smacking of sexual “objectification.”
But it was my great good fortune to be in the right place at the right time to begin to resolve my dilemmas. I don’t know if your readers will know this history, but in the early 1980s there was a big split among feminists called “the sex wars,” where some devastatingly brilliant women began to challenge feminist orthodoxy, and to insist that their erotic and affective lives, their role-playing, style of dress, (even their lipstick) didn’t invalidate their personal power. This might sound quaint to you, but for me it was huge when feminists started theorizing about sexuality, writing erotica, plumbing the boundaries of autonomy and desire. There was a lot of backlash; a friend, the late Amber Hollibaugh, was thrown off a panel at Barnard College for talking about butch/femme lesbian roles. But I was inspired, and had the good luck to meet legends like Susie Bright and many others, and to read great, smart erotic stuff — fiction and non-fiction both, which probably got my writing instincts going, though I didn’t know it yet.
Lola – Carrie’s Story is. . . how should I say? It pushes so many limits. How did you hit on this story? Did the character of Carrie come to you first or did the deep, dark adventures just unfold as you went along? What was the creative process?
Molly – I remember the first time I tried to write an SM story. It was a lazy, sunny Sunday after sex, and I was feeling really good and loosey-goosey, which I guess freed up my thoughts in some way. So, when my mind drifted to SM fantasies — and then to the fears of fascism that sometimes also flowed in along with the sexual stuff — I felt a little braver than usual, a little less guilty and a little more adventurous. Maybe sex-positive feminist thinking had actually started to penetrate; in any case, I began to wonder whether I was really the sicko I feared I was. What would happen, I wondered, if I actually let the fantasies rip? What would they look like if I wrote them down (what a concept)? So I sat down to find out.
For hours. There I sat in my ratty pink terrycloth bathrobe, scribbling and smiling and just… happy. I totally didn’t know what I was doing — I even had to run to the bookshelf to see how to punctuate dialogue. And when I wrote COMMA CLOSE QUOTE HE SAID PERIOD, I felt like God.
The story stank, though it did have a character sort of like Jonathan and a few characters who found their way into Safe Word. But it was such fun, and I felt so much myself, that I was determined to keep writing, and maybe even trust my own moral sense. Because I found that in my fantasies, I was totally turned on — obsessed really — by the idea of mutual consent, and the subtle, interesting places that can take the imagination and the relationship. I’m interested in people playing power games, exploring strange places, but from a position of mutual agreement as to the boundaries of the fantasy space. I am absolutely not interested in sex where deep down (in like reality, like in government or the economy, or like on Jeffrey Epstein’s private island) the power is unequal.
What was missing, of course, was Carrie. The smart-girl voice who’d been in my head since Jo March, and in western fiction since Elizabeth Bennet and Jane Eyre. The brave girl who fights the power with words and wit, and who can own the experience through her smarts. I realized I needed her to tell the story I was evidently dreaming up when I “heard” that voice in a fantasy novel called Beauty, by Sheri S. Tepper.
Anyhow, once I realized that Carrie would be telling the story, and that it was a story — that is, that she feels a need to tell us how she got to where she is when she’s telling it (which we don’t know yet, except for the auction, but which suggests a lot of SM tropes), I felt like I was cleared to go. That compulsion to tell how you got where you are is a powerful narrative engine, and I began to see how you could apply this to BDSM, with its tropes of training and discipline. Even if I didn’t know the ending, I felt that it would emerge in the telling. And oddly, the first publisher, Masquerade Books, caught the mood perfectly with the cover of the first edition: something about those wide light eyes, those parted lips (other Masquerade editions went way downhill from there).

Carrie’s Story – Original Masquerade Publishing Cover

Carrie’s Story, Most Recent (and Tame) Cover
Lola – You published this in ʼ94, so you must have been writing it earlier than that. Just to be clear – that was well before 50 Shades of Grey and its imitators took BDSM into the mainstream. Were you scared by what you had written? Did you think you’d ever find a publisher for it, or an audience? What was it like to be writing this stuff at that time?
Molly – I probably started writing it in ʼ91 or so. I was in no hurry, because it felt like its own reward to be exploring my fantasy life, opening up my imagination and sharing it with my husband, who began to share his as well. I don’t usually think of myself as brave, but I did while I was writing, and that felt amazing. And yeah, sure I was scared. “Always scared,” as Carrie says at some point. Because isn’t that what bravery is, to be willing to go where it’s scary? Isn’t that how we always get where we’re going, to find our limits as we go?
Still, I wasn’t writing in a vacuum. I was breathing the air of the San Francisco sex-positive feminist community, standing on the shoulders of giants, if you will. I was playing catch-up, reading lots of erotic fiction and theory, and adding a lot of stuff from my own reading over the years. And of course, since Carrie’s a brilliant, prodigy student intellectual, it all kind of fit together for me.
As to whether I’d find a publisher: at first I really had no idea whether the thing was publishable. I thought the writing was good; I have a fair amount of confidence in my voice. But I didn’t know if my particular take on how body and mind work together would resonate with anybody else — and of course there’s always the fear of revealing oneself and grossing people out. “It’s a pure act,” I kept telling myself. “It’s its own reward.” And — certainly compared to Fifty Shades of Grey — the Carrie books are clearly a niche taste. But as the years go by, and as still, after 30 years, every so often I open my email to read some absolutely amazing, deeply thought communication from one or another reader, the thrill of making connection never gets old.

Carrie’s Story as I imagine it
Lola – The book, and its smart, sensual, and masochistic titular main character make frequent reference to erotica classics, most notably, Story of O by Pauline Réage. What were the books that influenced you the most in writing this one and why?

Adaptation of Story of O
Molly – I’ve already mentioned the Marquis de Sade, who was in many ways a dreadful person, but I read bits and pieces when I was a teenager, and it stayed with me. A couple of years after that I read Susan Sontag’s essay, “The Pornographic Imagination,” and she talked about how porn is often funny, which gave me permission, years later, to make Carrie funny. Anyway, Sade is funny, in a weird, cold, whacked-out way (for more on this, for anybody who’s curious, you can read the piece I wrote for Salon.com, which is still kicking around the internet at https://www.salon.com/1998/11/19/feature_459/).

Histoire d Lo
Then, of course, Story of O, which came out in English in 1966, the same summer as Bob Dylan’s record Blonde on Blonde, which was the summer I connected with the guy I’ve been married to for more than 50 years now. We passed his copy of Story of O back and forth in bed. (And many years later I wrote about it, also for Salon, https://www.salon.com/1998/08/06/feature_12/)

Blonde on Blonde?
The next, important books came years later: Gayle Rubin, the brilliant queer theorist and cultural anthropologist, recommended Anne Rice’s Sleeping Beauty books, and I ran-not-walked to get hold of them. I think I’d find them unreadable now (all that spanking!), but at the time, I just gobbled them up, because I loved the equal-opportunity sexuality (women as tops and bottoms; gay and straight combinations cheerfully intermingling). And I loved the Disneyland fairy-tale setting. It was so light-hearted, so technicolor: I was totally energized by the idea of this sexual magic kingdom.

Sleeping Beauty
There were also small-press books written by local (often queer) authors, that were super hot. Pat (now Patrick) Califia, Aaron Travis, Carol Queen, Thomas Roche, and Simon Sheppard are names that spring to mind, but there were lots more: San Francisco in the 80s and 90s was bursting with creative erotic imagination; I met Tristan Taormino at an open mic, for example. And this week I went to a Zoom memorial for the recently-deceased Dorothy Freed, a stalwart at erotic writers groups, whose memoir of her longtime, loving marriage to her BDSM partner, Life After Promiscuity, I totally recommend (I copy-edited it).

Perfect Strangers by Dorothy Freed
Lola – Though the story-line is fanciful, many of the scenes are ones that could have a basis in reality. Were any of the sexy scenarios drawn from your real-life experience?
Molly – No. Sorry. My real-life experience is much more about subtle signals and shared imaginings. A funny thing, though, is that some people I used to work with as a programmer are sure they know who I took as my model for Carrie — and they won’t tell me who!

Porn inspired by Carrie’s Story
Lola – Did you dare show the novel to any of your friends, lovers, or family when it was still in manuscript form? If so, how did they react? And how did they react when it got published?
Molly – I’ve always been ridiculously, naively open about this stuff. There were some people who totally didn’t get it, but in general I received remarkably little pushback, and incredible help from friends who agreed to be beta readers, including the guy who corrected a quote from the Latin somewhere. My husband, in particular, is a tough, brilliant editor who pulls no punches and always helps me improve whatever I write. I even came out to my mother about it (a long story how that happened), though I strenuously warned her not to read the stuff. But when a piece of Safe Word got into some iteration of Best American Erotica, of course she read it anyway – the word “best” just being too much for her. “What did you think?” I asked her somewhat grimly. “It was Very. Well. Written,” she replied, through a jaw that might have been wired shut. And that was that.

Lola in her collar
Lola – Before this interview, you told me that the story never got optioned by any film companies. It’s so cinematographic. I could totally picture everything in my mind. I am surprised no one offered that to you, especially after the box-office killing that the ho-hum 50 Shades pulled in. Any ideas why not?

Carrie’s Story definitely inspired many movies
Molly – I’m so flattered you think that, and I do think that one of the things I do well is move characters through imagined space. But as for actually making a movie out of it… maybe it’s better that nobody has. Carrie goes through a lot of stuff that would be far less engaging if you had to look at it rather than imagine it as told through her smart-ass commentary. Or as a leatherman friend once said to me, “Pam, pain hurts!”

Pain Hurts, but degradation?
Lola – I’m sorry for the comparison and any spoilers, but, it seems to me the whole boring premise of 50 Shades is “Will she or won’t she?” sign the contract, that is. In Carrie’s Story, there is a contract, but the joke is that it’s all just cosplay, though the pain, degradation, abasement, and humiliation are real. However, Carrie can say no at any time. As I read it, I found it interesting to wonder, “How far will she go?” And it seemed to me like this was Carrie’s question too: “How far will I go?” And she goes pretty damn far! How did the plot drive the novel for you?
Molly – I think you’ve intuited what I’m going to answer. That the energy that makes the plot go was my energy, my curiosity about how far my fantasy life would go. You can’t fake that energy — or at least I can’t.
Lola – I was so glad to learn that there was a sequel because, if I have any criticism of the book, it’s that it ended prematurely. I wanted it to go on – so badly! Just like I want this interview to go on. I guess I have to get reading. But, quick question, the audio book, narrated by Shana Savage, is just fantastic! Were you involved in choosing her for that format?

The only way to fly is listening to erotica
Molly – I was involved, and it is fantastic. Susie Bright, who produced the audio, let me choose between 3 finalists, and I chose Shana. And I’m so proud that in 2014 the audio book won an Audie award for best erotica — first time they gave an award for erotica.

Eargasms
Lola – Thanks again! We will continue this soon, I hope!!!!
Molly – Thank you, and hope to speak again.

Pam Rosenthal/Molly Weatherfield